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Working with wires of different thickness, hardness, shape, color, materials, strength in fashioning jewelry and other objects is a very desirable skill. It takes experience with the feel of wire, how it is shaped, how it's strength can be structurally enhanced, and how it can be interlinked, interlocked and interconnected with other wire, with beads, with other materials. This "feel" will vary a bit with the type of metal. For example, brass is harder than sterling silver. There are two approaches. The first is called Wire Work. In wire working, the artist creates shapes, using various sizes of wire. The artist can create jewelry findings, such as clasps, headpins and earwires. S/he can create chains of linked wire shapes. S/he can create unusual shapes to dangle from earrings, or to embellish pieces as decorative components. SHAPE is the key word here. The second is called Wire Wrap. In wire wrapping, the artist uses wire to create structural components, then assembles these into a supporting system. This is similar, though on a micro-scale, to building and engineering a bridge. The artist might create a setting for a stone, or a piece of jewelry which depends on controlling the tensile strength of the wire in some way, to hold the stone in place, and keep it from popping out. STRUCTURE is the key word here. CRITICAL SKILLS TO LEARN:
Course Electives:
CORE CLASSES: WIRECORE1:
MIX & MATCH MULTI-WIRE TECHNIQUES BRACELET WIRECORE2:
WIRE WRAP BRACELET WITH BEADS WIRECORE3:
WIRE WRAP CABOCHON - PENDANT
ELECTIVE CLASSES: WIRE10:
JEWELRY FINDINGS and CHAIN BRACELET WIRE11:
COLD CONNECTION TECHNIQUES
We also offer once a month:
OTHER EXAMPLES OF WIRE PROJECTS:
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